newyorker:

The attention on Bárðarbunga has prompted a discussion of the relationship between volcanoes, melting glaciers, and climate change. Carolyn Kormann writes:

“[Iceland]’s volcanoes sit directly over a hot spot on the Mid-Atlantic Ridge, and have been depositing new layers of rock for millions of years. Scientists who have analyzed these layers have found that, beginning about ten thousand years ago, after the last ice age’s glaciers began to melt, Iceland’s volcanoes started erupting as much as fifty times more frequently. Lava flowed freely and ash fell abundantly for the next two thousand years.”

Above: Lava near Bárðarbunga on September 1st. Photograph by Eggert Johannesson/AP

newyorker:

The attention on Bárðarbunga has prompted a discussion of the relationship between volcanoes, melting glaciers, and climate change. Carolyn Kormann writes:

“[Iceland]’s volcanoes sit directly over a hot spot on the Mid-Atlantic Ridge, and have been depositing new layers of rock for millions of years. Scientists who have analyzed these layers have found that, beginning about ten thousand years ago, after the last ice age’s glaciers began to melt, Iceland’s volcanoes started erupting as much as fifty times more frequently. Lava flowed freely and ash fell abundantly for the next two thousand years.”

Above: Lava near Bárðarbunga on September 1st. Photograph by Eggert Johannesson/AP

nprfreshair:

Dana Goldstein, author of The Teacher Wars: A History of America’s Most Embattled Profession, spoke to Fresh Air about how teachers have become both “resented and idealized” over 200 years of history.  
In the interview Goldstein explains how teaching became a woman’s profession:

"A lot of people are surprised to learn that back in 1800, 90 percent of American teachers were actually male. Today we know that actually 76 percent of [them are] female, so how did this huge flip happen?
The answer is that as school reformers began to realize in the 1820s that schooling should be compulsory — that parents should be forced to send their kids to school, and public education should be universal — they had to come up with a way to do this basically in an affordable manner, because raising taxes was just about as unpopular back then as it is now. So what we see is this alliance between politicians and education reformers in the early 19th century to redefine teaching as a female profession.
They do this in a couple ways: First, they argue that women are more moral in a Christian sense than men. They depict men as alcoholic, intemperate, lash-wielding, horrible teachers who are abusive to children. They make this argument that women can do a better job because they’re more naturally suited to spend time with kids, on a biological level. Then they are also quite explicit about the fact that [they] can pay women about 50 percent as much — and this is going to be a great thing for the taxpayer.”

nprfreshair:

Dana Goldstein, author of The Teacher Wars: A History of America’s Most Embattled Profession, spoke to Fresh Air about how teachers have become both “resented and idealized” over 200 years of history.  

In the interview Goldstein explains how teaching became a woman’s profession:

"A lot of people are surprised to learn that back in 1800, 90 percent of American teachers were actually male. Today we know that actually 76 percent of [them are] female, so how did this huge flip happen?

The answer is that as school reformers began to realize in the 1820s that schooling should be compulsory — that parents should be forced to send their kids to school, and public education should be universal — they had to come up with a way to do this basically in an affordable manner, because raising taxes was just about as unpopular back then as it is now. So what we see is this alliance between politicians and education reformers in the early 19th century to redefine teaching as a female profession.

They do this in a couple ways: First, they argue that women are more moral in a Christian sense than men. They depict men as alcoholic, intemperate, lash-wielding, horrible teachers who are abusive to children. They make this argument that women can do a better job because they’re more naturally suited to spend time with kids, on a biological level. Then they are also quite explicit about the fact that [they] can pay women about 50 percent as much — and this is going to be a great thing for the taxpayer.”

officialkia:

pennameverity:

This is Duolingo, a language-learning website/app that deserves some serious recognition. It offers over 10 languages for English speakers, as well as courses for non-English speakers around the world, and they’re in the process of adding more. 
But wait, I don’t want to do any more schoolwork! Not to worry little one, Duolingo is actually more like a game. You can compete with friends, and earn “lingots” (which are basically Duolingo money) to buy power-ups, extra activities, and bonus skills - like Flirting.

I’m already taking a language, what do I need this for? 
It’s not really a secret that most school language courses (in America, anyway) suck and only teach you to speak the language at about a third grader’s level. Which is why Duolingo is so freaking awesome.
Teachers can’t give every student individualized attention, but Duolingo can. If you’re not learning the way you want to or as much as you want to in the classroom, Duolingo is a really great resource. It’s easy, tailored to you, and really effective.

Duolingo tracks your progress and reminds you when you haven’t studied for a while or need a refresher on something. Already semi-fluent in a language? No problem, just take a shortcut to more advanced subjects or test out of the lesson. 
The lessons start with the basics (he, she, hello, thank you, etc) and move up to harder stuff. Duolingo focuses on vocabulary first, so you can learn the language and then the grammar that goes with it - much simpler than the system most schools use. It also tracks the number of words you’ve learned and how well you know them.

And you don’t even have to write out the flashcards!
Duolingo is perfect for reviewing everything you forgot over the summer or giving you the extra help you need. And if you’re trying to learn a language on your own, it’s fantastic - you don’t have to create your own lessons. Whether you’re trying to learn your second, third, or fifth language, I seriously recommend Duolingo.
Okay, what else?
Duolingo also has discussion boards, where you can ask for help with a hard lesson, make new friends, watch for updates, and share your achievements.
Even better is the Immersion feature. It won’t send you to Spain or France, but it’s pretty awesome. Duolingo takes real articles from the internet, which users translate. You can translate articles from your native language into the language you’re learning or vice versa, which gives you more experience and makes the Internet more universal.
You can suggest new languages and track Duolingo’s progress in creating new courses. Bilinguals (older than 13) can help to create these courses. Duolingo has a long list of courses that can be contributed to, like Punjabi, Hebrew, and Vietnamese. Oh, and Dothraki, Klingon, Sindarin, and Esperanto.
And the best part? IT’S COMPLETELY FREE. 
If you love languages or just want to pass French class this year, USE DUOLINGO. Download the app and practice a language while you wait for the bus instead of playing Angry Birds!

Coolest app I’ve ever downloaded.

officialkia:

pennameverity:

This is Duolingo, a language-learning website/app that deserves some serious recognition. It offers over 10 languages for English speakers, as well as courses for non-English speakers around the world, and they’re in the process of adding more. 

But wait, I don’t want to do any more schoolwork! Not to worry little one, Duolingo is actually more like a game. You can compete with friends, and earn “lingots” (which are basically Duolingo money) to buy power-ups, extra activities, and bonus skills - like Flirting.

image

I’m already taking a language, what do I need this for? 

It’s not really a secret that most school language courses (in America, anyway) suck and only teach you to speak the language at about a third grader’s level. Which is why Duolingo is so freaking awesome.

Teachers can’t give every student individualized attention, but Duolingo can. If you’re not learning the way you want to or as much as you want to in the classroom, Duolingo is a really great resource. It’s easy, tailored to you, and really effective.

image

Duolingo tracks your progress and reminds you when you haven’t studied for a while or need a refresher on something. Already semi-fluent in a language? No problem, just take a shortcut to more advanced subjects or test out of the lesson. 

The lessons start with the basics (he, she, hello, thank you, etc) and move up to harder stuff. Duolingo focuses on vocabulary first, so you can learn the language and then the grammar that goes with it - much simpler than the system most schools use. It also tracks the number of words you’ve learned and how well you know them.

image

And you don’t even have to write out the flashcards!

Duolingo is perfect for reviewing everything you forgot over the summer or giving you the extra help you need. And if you’re trying to learn a language on your own, it’s fantastic - you don’t have to create your own lessons. Whether you’re trying to learn your second, third, or fifth language, I seriously recommend Duolingo.

Okay, what else?

Duolingo also has discussion boards, where you can ask for help with a hard lesson, make new friends, watch for updates, and share your achievements.

Even better is the Immersion feature. It won’t send you to Spain or France, but it’s pretty awesome. Duolingo takes real articles from the internet, which users translate. You can translate articles from your native language into the language you’re learning or vice versa, which gives you more experience and makes the Internet more universal.

You can suggest new languages and track Duolingo’s progress in creating new courses. Bilinguals (older than 13) can help to create these courses. Duolingo has a long list of courses that can be contributed to, like Punjabi, Hebrew, and Vietnamese. Oh, and Dothraki, Klingon, Sindarin, and Esperanto.

And the best part? IT’S COMPLETELY FREE. 

If you love languages or just want to pass French class this year, USE DUOLINGO. Download the app and practice a language while you wait for the bus instead of playing Angry Birds!

Coolest app I’ve ever downloaded.

gailsimone:

greg-pak:

Gene Yang is one of my heroes. Read this, y’all.
weneeddiversebooks:

Read This: Gene Luen Yang’s rousing comics speech at the 2014 National Book Festival gala
From the Washington Post, article here.
GENE LUEN YANG, Library of Congress, Jefferson Building:
Good evening. Thank you, Library of Congress and National Book Festival, for inviting me to share the stage with such esteemed authors, and to speak with all of you. I am deeply grateful for this honor.
I’m a comic-book guy, so tonight I’d like to talk about another comic book guy. Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African-Americans working in American comics. Dwayne worked primarily within the superhero genre. He got his start at Marvel Comics but eventually worked for almost every comic book publisher out there. He even branched out into television and wrote for popular cartoon series like “Justice League” and “Ben 10.”
Dwayne McDuffie
Dwayne McDuffie is no longer with us, unfortunately. He passed away in 2011, at the age of 49. But within comics, his influence is still deeply felt.
I was lucky enough to have met him once. About a year before his death, we were on a panel together at Comic-Con. I had the opportunity to shake his hand and tell him how much his work meant to me.
In a column Dwayne wrote in 1999, he talked about his love of the Black Panther, a Marvel Comics character. The Black Panther’s secret alias is T’Challa, the king of the fictional African nation of Wakanda. He has super senses, super strength, and super agility. He’s an Avenger, though he hasn’t yet made it into the movies.
The Black Panther wasn’t created by African American cartoonists. He was created in July of 1966 by two Jewish Americans, Stan Lee (who was born Stanley Lieber) and Jack Kirby (who was born Jacob Kurtzberg).
By modern standards, the Black Panther is not a flawless example of a black superhero. In their first draft of the character, Lee and Kirby called him “the Coal Tiger” and gave him a goofy yellow and black costume. Even in his final form, his superhero alias includes the word “Black.” This is true of many early African and African American superheroes, as if what makes them remarkable is neither their superpowers nor their heroism, but their ethnicity. Most problematic, though, was that Marvel made their most prominent black superhero the star of a series called Jungle Action.
All of these flaws were lost on Dwayne McDuffie when he first encountered the Black Panther in 1973, at the age of 11. What struck him was the character’s commanding sense of dignity. The Black Panther wasn’t anyone’s sidekick. He wasn’t an angry thug. He wasn’t a victim. He was his own hero, his own man. As Dwayne describes it, “In the space of 15 pages, black people moved from invisible to inevitable.”
Dwayne’s love of the Black Panther eventually blossomed into a love of comics in general. Dwayne was a smart guy with a lot of options in life. He’d earned a master’s degree in physics. But he chose to write comics as his career. I would argue that without the Black Panther, this flawed black character created by a writer and an artist who were not black, there would be no Dwayne McDuffie the comic book writer.
Dwayne wasn’t just a writer — he was also a businessman. In the early ’90s, he teamed with a group of writers and artists to found Milestone Media, the most prominent minority-owned comic book company that has ever existed. The Milestone universe have since been folded into DC Comics, so these days characters like Static Shock and Icon – characters Dwayne co-created – fight crime alongside Superman and Batman.
In the early ’90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called Xombi, published by Milestone Media. Xombi is a scientist who became a superhero after he was injected with nanotechnology. He allied himself with a secret order of superpowered nuns. One sister was known as Nun of the Above, another Nun the Less. Together, they protected the world from all kinds of supernatural threats.
Xombi was inventive and fun, but he stood out to me because he was an Asian American male carrying in his own monthly title. And even more notable – he didn’t know Kung Fu. Xombi wasn’t created by Asian Americans – his writer was white and his artist black – but he did make Asian Americans a little less invisible.
We in the book community are in the middle of a sustained conversation about diversity. We talk about our need for diverse books with diverse characters written by diverse writers. I wholeheartedly agree.
But I have noticed an undercurrent of fear in many of our discussions. We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say.
This fear can be a good thing if it drives us to do our homework, to be meticulous in our cultural research. But this fear crosses the line when we become so intimidated that we quietly make choices against stepping out of our own identities. After all, our job as writers is to step out of ourselves, and to encourage our readers to do the same.
I told you the story of Dwayne McDuffie to encourage all of us to be generous with ourselves and with one another. The Black Panther, despite his flaws, was able to inspire a young African American reader to become a writer.
We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it’s okay to get cultural details wrong in your first draft. It’s okay if stereotypes emerge. It just means that your experience is limited, that you’re human.
Just make sure you iron them out before the final draft. Make sure you do your homework. Make sure your early readers include people who are a part of the culture you’re writing about. Make sure your editor has the insider knowledge to help you out. If they don’t, consider hiring a freelance editor who does.
Also, it’s okay if stereotypes emerge in the first drafts of your colleagues. Correct them – definitely correct them – but do so in a spirit of generosity. Remember how soul-wrenching the act of writing is, how much courage it took for that writer to put words down on a page.
And let’s say you do your best. You put in all the effort you can. But then when your book comes out, the Internet gets angry. You slowly realize that, for once, the Internet might be right. You made a cultural misstep. If this happens, take comfort in the fact that even flawed characters can inspire. Apologize if necessary, resolve do better, and move on.
Let your fear drive you to do your homework. But no matter what, don’t ever let your fear stop you.


Two of the all-time best. 

gailsimone:

greg-pak:

Gene Yang is one of my heroes. Read this, y’all.

weneeddiversebooks:

Read This: Gene Luen Yang’s rousing comics speech at the 2014 National Book Festival gala

From the Washington Post, article here.

GENE LUEN YANG, Library of Congress, Jefferson Building:

Good evening. Thank you, Library of Congress and National Book Festival, for inviting me to share the stage with such esteemed authors, and to speak with all of you. I am deeply grateful for this honor.

I’m a comic-book guy, so tonight I’d like to talk about another comic book guy. Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African-Americans working in American comics. Dwayne worked primarily within the superhero genre. He got his start at Marvel Comics but eventually worked for almost every comic book publisher out there. He even branched out into television and wrote for popular cartoon series like “Justice League” and “Ben 10.”

Dwayne McDuffie is no longer with us, unfortunately. He passed away in 2011, at the age of 49. But within comics, his influence is still deeply felt.

I was lucky enough to have met him once. About a year before his death, we were on a panel together at Comic-Con. I had the opportunity to shake his hand and tell him how much his work meant to me.

In a column Dwayne wrote in 1999, he talked about his love of the Black Panther, a Marvel Comics character. The Black Panther’s secret alias is T’Challa, the king of the fictional African nation of Wakanda. He has super senses, super strength, and super agility. He’s an Avenger, though he hasn’t yet made it into the movies.

The Black Panther wasn’t created by African American cartoonists. He was created in July of 1966 by two Jewish Americans, Stan Lee (who was born Stanley Lieber) and Jack Kirby (who was born Jacob Kurtzberg).

By modern standards, the Black Panther is not a flawless example of a black superhero. In their first draft of the character, Lee and Kirby called him “the Coal Tiger” and gave him a goofy yellow and black costume. Even in his final form, his superhero alias includes the word “Black.” This is true of many early African and African American superheroes, as if what makes them remarkable is neither their superpowers nor their heroism, but their ethnicity. Most problematic, though, was that Marvel made their most prominent black superhero the star of a series called Jungle Action.

All of these flaws were lost on Dwayne McDuffie when he first encountered the Black Panther in 1973, at the age of 11. What struck him was the character’s commanding sense of dignity. The Black Panther wasn’t anyone’s sidekick. He wasn’t an angry thug. He wasn’t a victim. He was his own hero, his own man. As Dwayne describes it, “In the space of 15 pages, black people moved from invisible to inevitable.”

Dwayne’s love of the Black Panther eventually blossomed into a love of comics in general. Dwayne was a smart guy with a lot of options in life. He’d earned a master’s degree in physics. But he chose to write comics as his career. I would argue that without the Black Panther, this flawed black character created by a writer and an artist who were not black, there would be no Dwayne McDuffie the comic book writer.

Dwayne wasn’t just a writer — he was also a businessman. In the early ’90s, he teamed with a group of writers and artists to found Milestone Media, the most prominent minority-owned comic book company that has ever existed. The Milestone universe have since been folded into DC Comics, so these days characters like Static Shock and Icon – characters Dwayne co-created – fight crime alongside Superman and Batman.

In the early ’90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called Xombi, published by Milestone Media. Xombi is a scientist who became a superhero after he was injected with nanotechnology. He allied himself with a secret order of superpowered nuns. One sister was known as Nun of the Above, another Nun the Less. Together, they protected the world from all kinds of supernatural threats.

Xombi was inventive and fun, but he stood out to me because he was an Asian American male carrying in his own monthly title. And even more notable – he didn’t know Kung Fu. Xombi wasn’t created by Asian Americans – his writer was white and his artist black – but he did make Asian Americans a little less invisible.

We in the book community are in the middle of a sustained conversation about diversity. We talk about our need for diverse books with diverse characters written by diverse writers. I wholeheartedly agree.

But I have noticed an undercurrent of fear in many of our discussions. We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say.

This fear can be a good thing if it drives us to do our homework, to be meticulous in our cultural research. But this fear crosses the line when we become so intimidated that we quietly make choices against stepping out of our own identities.
After all, our job as writers is to step out of ourselves, and to encourage our readers to do the same.

I told you the story of Dwayne McDuffie to encourage all of us to be generous with ourselves and with one another. The Black Panther, despite his flaws, was able to inspire a young African American reader to become a writer.

We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it’s okay to get cultural details wrong in your first draft. It’s okay if stereotypes emerge. It just means that your experience is limited, that you’re human.

Just make sure you iron them out before the final draft. Make sure you do your homework. Make sure your early readers include people who are a part of the culture you’re writing about. Make sure your editor has the insider knowledge to help you out. If they don’t, consider hiring a freelance editor who does.

Also, it’s okay if stereotypes emerge in the first drafts of your colleagues. Correct them – definitely correct them – but do so in a spirit of generosity. Remember how soul-wrenching the act of writing is, how much courage it took for that writer to put words down on a page.

And let’s say you do your best. You put in all the effort you can. But then when your book comes out, the Internet gets angry. You slowly realize that, for once, the Internet might be right. You made a cultural misstep. If this happens, take comfort in the fact that even flawed characters can inspire. Apologize if necessary, resolve do better, and move on.

Let your fear drive you to do your homework. But no matter what, don’t ever let your fear stop you.

Two of the all-time best.